a Red Fare

a group of works orchestrated for display at the Walter’s Art Museum for the Janet+Walter Sondheim Art Prize Finalists’ Exhibition:

often wielding formal aesthetic precedence, in tandem with etymologies and the historical perversion of language to table popular, ill-classified presumptions. The United States is largely founded upon antagonistic propaganda for limited, and exclusive self inter-ests. The global East at large has long been subject to opposition part this dynamic. This nation’s insufficient intent to govern remains convicted to evade the prospect of a social feature. Socially centric governance, i.e Socialism has largely been abbreviated in heavy handed communist regimes. The humor of comforting excerpts by painting and sculpture invite a second read of prescribed narratives, which often complicate and enlighten a greater exchange toward the consideration of collective potential. Here at the Walter’s “a Red Fare,” is a gathered suite of works focused in communication, camaraderie, and etiquettes of cooperation.





Installation view, ressembler at the Walters Museum of Art.







a convenient coop
13.5x19.5x6”
oil on wood
2023




ressembler (Fishburne)
8”x10”
oil on wood
2023










ressembler (Douglas)
8”x10”
oil on wood
2023




ressembler (Marx)
8”x10”
oil on wood
2023








tolerance
redwood, cinnabar, limestone, gypsum, chromium oxide alkyd
21”x36”x11”
2023










out or about (jungle fowl)
53”x30”x2.5”
oil on wood
2023